![]() ![]() The High frequency Shelf Eq, at maximum setting sounds very similar to Yamaha High-EQ Output at máximum, and input High.EQ at +1dB.īias at 1.0 or 0.9 maximum sounds very simimlar. Softube original settings are too soft, needs more tweaking, agressive settings, starts with 5, but needs around 9 to have similar saturation sound as the Yamaha tape saturation. Softube has 3 different emulations, ,B.ī-type, is very similar to Ampex ATR 100 “American 70” with tape formula. There are many other brands like Toneboosters TB ReelBus 3 that emulate Teac & Revox, Ferox, ReelBus4, Now there are many different Tape & Tube emulation plugins, i compared vs some… like Avid Heat “tape emulation” i like Yamaha better. So i was happy when plugins were available for VST…Īnd bought a license + a usb eLicenser key. Originally this plugins were Only available for some Yamaha Digital consoles, around 2005 e-mailed asking why the spx2000 cannot be upgraded with the VCM plugins? if have a USB port? and the answer was, it does Not have enough DSP. I dont like much the Studer sound, and there are too much Studer plugins, UAD, Digidesign, Steinberg/Yamaha, etc… ![]() The two types of tape are modelled on new BASF and older Ampex formulations. The recorders that have been emulated so carefully are three Studer A80 Mk-I, A80 Mk-IV and A-820 (identified as ‘Swiss 70’, ‘Swiss 78’ and ‘Swiss 85’ respectively), plus the American Ampex ATR100 (called ‘American 70’). The reason i purchased Yamaha Vintage Open Deck, was because it has an emulation of American ’70 ![]()
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